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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Directing - Holy the Sabbath (2004)</image:title>
      <image:caption>2004/experimental/11 min. A chilling portrait of loss and redemption when men create their own gods. Now streaming on Vimeo. This experimental film is the first installment of the Perception Trilogy, based on Plato’s quote, “We can easily forgive a child who is afraid of the dark; the real tragedy is when men are afraid of the light.” The film explores issues of consumerism, religion, and truth in an era where technology has taken over. A minimalist parable shot on 16mm that premiered as an installation on over a dozen television screens simultaneously at the 2006 Dallas Video Festival. Starring filmmaker Frederick Trevino in his film debut, Jessica Hixson, and narrated by Father Joe Schumacher.</image:caption>
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      <image:title>Directing - Little Boy (2006)</image:title>
      <image:caption>2006/experimental/14 min. LITTLE BOY is an avant-garde examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction. Now streaming on Vimeo. The second installment of Frank’s Perception Trilogy, inspired by Plato’s quote, “We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.” Premiered at the 2007 Dallas Video Festival; won Best Film, Best Director, Best Editing, and Best Supporting Actress (Kelly Grandjean) at the 2007 Dark Horse Film Festival; and garnered rave reviews by GORDON AND THE WHALE, ROGUE CINEMA and SHORT FILM TEXAS. It received a Culture Column Award for "Best Local Film" in the “Best of 2007” issue of FORT WORTH WEEKLY, which called it: “A chilling montage full of anxious close-ups, paranoid cuts, and dramatic contrasts of light… Remarkably assured and cleanly executed, it has a stylized Cold War sheen reminiscent of Todd Haynes’ fetishistic visuals in Poison and Far from Heaven”.” Starring Reece Rios, Kelly Grandjean, Zane Hubbard, Bill Flynn, Mary Fournier, Emmy Zabcik, Stephanie Rhodes, Melissa Hurta, Dona Mularkey, and John Rainone.</image:caption>
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      <image:title>Directing - leave (2007)</image:title>
      <image:caption>2007/narrative/18 min. A quiet, introspective study of a Marine's last day home before shipping back to Iraq with a weighty conscience. In this loose narrative, three vignettes display the difficulty and uncertainty that people have in expressing love. A good man tries. Now streaming on Vimeo. As an exercise, Mosley edited an alternate cut of the film here. An entirely improvised "home movie" that was shot over the course of one day in Arlington, Texas, using both actors and non actors, both family and friends of the director, all from a one page outline. It’s the first film from the improvisational film collective, Backyard Movies. It premiered at 2007 Dallas Video Festival as part of the Opening Night Showcase; was nominated for Best Narrative Short at the Mid Valley Video Festival in Portland, Oregon; and was listed by SHORT END MAGAZINE as "a quiet triumph.” FORT WORTH WEEKLY wrote: “Mosley knows how to edit scenes to stir a maximum amount of tension and sadness from otherwise mundane or even dopey situations. Starting with extensive rehearsals full of goal-driven improvisation, he nudges professional and nonprofessional local actors alike (including his mother and grandmother) to give tight performances that don’t bear the ragged improv scars of self-consciousness and self-indulgence. You don’t realize until the film’s over that Mosley has let the loved ones tell this soldier’s backstory in scraps of conversation; the protagonist maintains an aching near-silence throughout.” Starring Nicholas Blanton, Page Mosley, Nancy Owens, Gideon Seaman, Jessica Hixson, and Frank Mosley.</image:caption>
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      <image:title>Directing - Michael Mann</image:title>
      <image:caption>2022/experimental/3 min. One man describes a memorable scene from a heist movie as another is caught on tape committing an egregious theft. A film by Joslyn Jensen and Frank Mosley Watch. SCREENINGS: - 2022 Beep Beep Film Festival, presented by Truth Hounds Podcast</image:caption>
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      <image:title>Directing - Good Condition</image:title>
      <image:caption>2023/narrative/9 min. Barry’s starting over. Directed by Frank Mosley. Written and performed by Hugo De Sousa. Now streaming on Filmmaker Magazine and Vimeo. SCREENINGS: -2023 Aspen Shortsfest (world premiere) -2023 Nevada City Film Festival - Winner- Best Performance: Hugo De Sousa -2023 Oak Cliff Film Festival -2023 Fantasia International Film Festival (international premiere) -2023 New/Next Film Festival -2023 Sidewalk Film Festival -2023 NOT Film Fest (international competition) -2023 Crazy About Film Festival -2023 Bainbridge Island Film Festival -2023 Montana Film Festival -2023 Montgomery Film Festival -2023 Cucalorus Film Festival -2023 Cool Cuts showcase, Los Angeles -2024 The Dark Room Screening &amp; Salon, presented by NoN Films -2024 George Lindsey UNA Film Festival (Vanguard competition) -2024 Festival Cine Bestia - Oaxaca, Mexico -2024 Salute Your Shorts Film Fest -2024 Film + Theatre Festival, presented by ADULT FILM NYC -2025 Petit Salon - NOT Film Fest (Short Selections), Los Angeles -2026 Now Instant Image Hall, Los Angeles PRESS: “A post-genre narrative.” - Eric Hatch, New/Next Film Festival “For the online release of Good Condition, Mosley and De Sousa sat down with filmmaker Patrick Brice (Creep, The Overnight) to discuss their two collaborations.” - Vadim Rizov, Filmmaker Magazine “The best film I’ve seen at Fantasia is only nine minutes long. The film is a melancholy meditation on isolation, loneliness, and an Ikea table… and it never wastes a moment. Good Condition is the epitome of an actor and director in perfect sync.” - Alex Heeney, The Seventh Row “It’s a simple setup, but one that Mosley manages to imbue with a kind of creeping dread. It’s downright ominous in execution, and it’s no small feat to conjure such a palpable mood within these strict parameters. One of Mosley’s primary gifts as a storyteller is the ability to suggest lives for his characters outside the framework of the film itself, the idea that these people existed before the movie began and will continue on even after the camera has been turned off. Good Condition continues that trend; anyone interested in contemporary American cinema needs to be keeping an eye on Mosley.” - Daniel Gorman, In Review Online “Good Condition rides entirely on De Sousa’s gloriously sweaty performance, desperate for anyone to listen to his troubles. The most compassion offered is by the camera, with Mosley crisply capturing both the absurdity and tragedy of the situation and cinematographer Ludovica Isidori tenderly observing a man who, like the table he’s acquiring, is a little more fragile than it first appears.” - Stephen Saito, The Moveable Fest "Barry is struggling to find his footing in a tumultuous moment of life. Never expecting to find comfort in a simple encounter. "What is going on? But also, this is so f'ing good!" These were the first thoughts I had while watching GOOD CONDITION. I was all in -- there was no turning back. Frank Mosley's directing is a triumph. His slow, well-thought-out choices create a film worthy of leaning in. Writer and actor Hugo De Sousa leads with a complex and compelling performance. You've got my attention!" - Elle Shaw, Executive Director, Salute Your Shorts Film Fest “We take special focus on their two recent films “The Event” and “Good Condition”, while also discussing their work process and the ups and downs of the festival circuit.” - Tomas Ferreira, Royale With Cheese Talkshow “Italy’s Nòt Film Fest has set its 2023 festival lineup, highlighting the indie-est of indie films in line with its goal of creating a space for filmmakers who have experienced rejection in the movie industry.” -Deirdre McCarrick, MovieMaker “Oak Cliff Film Festival is excited to announce the lineup for the 12th annual edition of the festival, including 26 feature length films and a tasting menu of 35 must-see short films.” -Film Threat “Aspen Film, the year-round film, arts, and education organization, recently announced its program for the Oscar-qualifying 32nd Aspen ShortsFest, April 10-16, 2023.” - Big Life Magazine</image:caption>
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      <image:title>Directing - CASA DE MI MADRE - Official Teaser (2017)</image:title>
      <image:caption>2017/narrative/12 min. A fire rages in the woods near a village. The fire triggers a memory in a lonely woman. And this memory pushes her to utter aloud the words she's always wanted to say. Produced in Cuba with the support of Black Factory Cinema and Escuela Internacionales de Cine y Tv in San Antonio de los Banos (EICTV), and made under the guidance of master filmmaker Abbas Kiarostami. The result of Mosley's selection as a participant in the 2016 Workshop for Auteurs, the film examines grief, transference, and the consequences of role-playing. Mosley contributed an essay about the making of the film on This Long Century, musing how his own tenuous recollections of the shoot mirrored the protagonist’s fractured memories in the film. Starring Carmen Rodriguez, Nilda Diaz, and Christian Jaime. Now streaming on Hammer to Nail, Vimeo, and Kinoscope. SCREENINGS/PRIZES: -WINNER: Summer 2016 HAMMER TO NAIL Short Film Contest -2017 Champs-Elysees Film Festival (World Premiere- U.S. short film competition) -2017 Marfa Film Festival (U.S. Premiere) -2017 Adirondack Film Festival, NY -2017 DePaul University Showcase Screening (Champs-Elysees tour), Chicago, IL -2017 St. Cloud Film Festival, MN -2017 Dallas VideoFest (The Texas Show) -2018 Anthology Film Archives (NewFilmmakers NY) -2018 Dallas International Film Festival (Narrative Shorts Competition) -2018 The Spectacle Theater, NYC -2026 Now Instant Image Hall, Los Angeles PRESS: "A quiet gem. Questions evolve slowly and masterfully over a tightly compacted 12 minutes." -Don R. Lewis, HAMMER TO NAIL “Mosley proves himself to be a master of lending seemingly mundane details and objects a sense of grandeur and symbolic import — a stream of billowing smoke from a bonfire, a cup of melting ice cream, a tattered football used by the village children. These elements work together to create a rich tapestry of emotionally forceful images, delving into the slippery nature of identity, the way memory is triggered by innocuous objects, and the minor events of childhood that seem, in retrospect, to hold great import. This level of attention paid to communicating theme and emotion through form alone is rare to find in both contemporary mainstream and arthouse cinema, and establishes Mosley as a major cinematic voice.” -James Slaymaker, VAGUE VISAGES “Casa De Mi Madre explores the relationship of a mother and her son, fuelled by a fire that triggers latent and disturbing memories. Carmen Rodriguez, playing the mother, displays a palette of emotions, ranging from fiery to sympathetic, her performance phenomenally praise-worthy under the immediate direction of Frank.” -Alexa Modugno, FRONTRUNNER MAGAZINE "One of the best 50 films of 2018. A simple, yet affecting short. Akin to a coming-of-age story...and yet settling into a more profound facet of deep, fundamental change." - Kevin Rakestraw, FILM PULSE "Given the simplicity of the film’s handful of shots, it is impressive that Mosley has ambitiously attempted to cram so much meaning into them. The story offers impressionistic brushstrokes of anguish." -Peter Simek, D MAGAZINE “Those notes, taken during a workshop in Cuba, are Frank Mosley’s contribution to This Long Century, which has also recently posted offerings from Jodie Mack and Sky Hopinka.” -David Hudson, THE CRITERION CURRENT “Lucid dreaming. Alchemy. These are two unlikely explanations to consider for what I’m still not sure ever could have happened. As one of 52 filmmakers invited to participate in the Taller de filmando en Cuba con Abbas Kiarostami, I am not alone in describing the workshop as being similar to a somnambulistic experience.” -Cameron Bruce Nelson, FILMMAKER MAGAZINE</image:caption>
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      <image:title>Directing - lions' den (2007)</image:title>
      <image:caption>2007/narrative/15 min. A group of old friends are hanging at one of their houses exchanging stories of sexual escapades, awaiting another friend to arrive so they can celebrate a birthday at a nude bar. When one of them is suddenly accused of having masturbated in his friend's bathroom, what starts as a McCarthy-era trial of accusations at one individual suddenly escalates into a night of judgment that tests the truth of their words and the strength of all their friendships. Now streaming on Vimeo. The film premiered at the 2007 Dallas Video Festival and was invited to play at the 2008 Lone Star International Film Festival. FORT WORTH WEEKLY called it “a piercing study of machismo devouring itself” and SHORT END MAGAZINE wrote, "the film's message rings clearly and with a beautiful sadness." LIONS' DEN is an entirely improvised, low-fi drama using both actors and non actors shot over the course of an evening, based from a loose outline. A melting pot of lies, truths, egos, and masculinity that is stirred with documentary-style filmmaking. The second film from the improvisational film collective, Backyard Movies. Starring Matthew Buck, Gideon Seaman, Aaron Hunter, Robby Storey, Frank Mosley, and Drew Kondraske.</image:caption>
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    <lastmod>2026-03-03</lastmod>
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      <image:title>Theater - STARLET (WORLD PREMIERE)</image:title>
      <image:caption>STARLET is a three act play written and directed by Lily Lady. Its protagonist is a former child star and current tabloid trainwreck. The Elysian / January 15th and 16th, 2026 / 7:30pm &amp; 9:30pm Written and Directed by Lily Lady Starring Aphrodite Armstrong, Frank Mosley, Viva Gentes, and Maddie Vasquez Produced by Dillion Petrillo Photos by Annalisa Stalcup</image:caption>
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      <image:title>Theater - STARLET (WORLD PREMIERE)</image:title>
      <image:caption>STARLET is a three act play written and directed by Lily Lady. Its protagonist is a former child star and current tabloid trainwreck. The Elysian / January 15th and 16th, 2026 / 7:30pm &amp; 9:30pm Written and Directed by Lily Lady Starring Aphrodite Armstrong, Frank Mosley, Viva Gentes, and Maddie Vasquez Produced by Dillion Petrillo Photos by Annalisa Stalcup</image:caption>
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      <image:title>Theater - THE DEMON SLAYERS (WORLD PREMIERE)</image:title>
      <image:caption>The Philosophical Research Society is proud to host a variety show from Highland Park's very own Nihil Declarandum, as Nihil &amp; Friends present Art Is Life Is Art: RED HOT! Each Art is Life Is Art variety show is a 90 min emotional rollercoaster of immersive theater, music, puppetry and short film based on a theme, and this month performers will explore the character commonly referred to as “the Devil,” or “Satan” through film, music, puppets, and a very special live-reading of Sam Kestenbaum’s article from Harpers: The Demon Slayers! withSam Kestenbaum, acting as narrator. THE CAST: Frank Mosley Deeki Deeke Eric Toms Natasha Mercado Whitney Ellis Kim Divad Fernando A. Funes Michael Serwich Bernardo Porto Nihil &amp; Friends is the brainchild of writer/director Tiffany Kimmel, supported by a core team of amazingly talented artists and community builders including: Eric Oxford, Jordan Holtane, McKenzie Stubbert, Alice Rona, Charles Pieper, Ben Gojer, Frank Hegyi, and so many more.</image:caption>
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      <image:title>Theater - Required Reading</image:title>
      <image:caption>REQUIRED READING is a staged reading series in Los Angeles curated by actor and filmmaker Frank Mosley. We highlight new work by both emerging and established playwrights, and we donate proceeds to a humanitarian cause of the writer's choice. website IG: @requiredreading.la</image:caption>
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      <image:title>Theater - MINOTAUR (L.A. PREMIERE)</image:title>
      <image:caption>MINOTAUR is a new play by Matthew Gasda-- dramatist, novelist, poet, and co-founder of The Brooklyn Center for Theatre Research (BCTR). Of his acclaimed underground hits such as DIMES SQUARE and ZOOMERS, Interview Magazine declared: "No contemporary, local playwright makes you squirm in your seat like Matt Gasda." MINOTAUR made its premiere at Forgotten Works Studio in Dumbo, Brooklyn in June 2022. This L.A. premiere is performed by Lily Lady (SAM'S WORLD), Bridey Elliott (CLARA'S GHOST, "SEARCH PARTY"), Anna Khaja ("HACKS", "THE GOOD PLACE"), Alexander Chard (“VIDA”, “ALL HER FAULT”), and Chris Doubek ("EUPHORIA", BOYHOOD). Frank Mosley (FREELAND, CHAINED FOR LIFE) directs. This is the second in a series of staged readings by the Los Angeles based collective REQUIRED READING. Proceeds from this performance at The Elysian Theater will go toward the Firefighter Fund as part of ARC (Anti-Recidivism Coalition). Tickets here. Digital program here.</image:caption>
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      <image:title>Theater - YOU MADE ME FEEL (L.A. premiere)</image:title>
      <image:caption>YOU MADE ME FEEL is a one-act play by NYC filmmaker Kit Zauhar, known for her films ACTUAL PEOPLE (Locarno 2021) and THIS CLOSENESS (SXSW 2023), both of which are streaming on MUBI. The play was first performed in May 2024 at Good Evening Rep, NYC. The L.A. premiere is performed by Jessica Barr (SOPHIE JONES, CAN'T SEEM TO MAKE YOU MINE), Sam Straley ("WELCOME TO FLATCH", "THE DROPOUT"), and Frank Mosley (FREELAND, CHAINED FOR LIFE), who also directs. This is the first in a series of staged readings by the Los Angeles based collective REQUIRED READING. Proceeds from this performance at The Elysian Theater will go toward the Palestine's Children Relief Fund (PCRF). Tickets here. Digital program here. Read the play.</image:caption>
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      <image:title>Theater - Required Reading (Copy)</image:title>
      <image:caption>REQUIRED READING is a staged reading series in Los Angeles curated by actor and filmmaker Frank Mosley. We highlight new work by both emerging and established playwrights, and we donate proceeds to a humanitarian cause of the writer's choice. website IG: @requiredreading.la</image:caption>
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      <image:title>Required Reading - Make it stand out</image:title>
      <image:caption>REQUIRED READING is a staged reading series in Los Angeles curated by actor and filmmaker Frank Mosley. We highlight new work by both emerging and established playwrights, and we donate proceeds to a humanitarian cause of the writer's choice. website IG: @requiredreading.la</image:caption>
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